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Li Yan | Art profile

Li Yan, Huang Huai cloth gown, common herd of Zhongzhou, scholar under the willow;

Born in a family of scholar at Yingshui shore of Anhui Henan border in 1967;

He has been successively studied in Huainan Normal University, Guangzhou Acmdemy of Fine Arts and the Chinese Art Research Institute.

He has been worked as a rural teacher, ever worked in journalism and publishing for over ten years, and then returned to the platform to teach in Guangdong Justice Police Vocational College and engage in teaching and research of art appreciation and aesthetic education.

Li Yan is erudite through paternal teaching and influence, with Yang Zhiguang, Cheng Shifa, Song Wenzhi and the older generation of outstanding artists are old family friend, affected by these older generation, Li Yan studied painting since childhood;

Later, he learned from Wang Zhaowen, Chen Shaofeng, Chi Ke, Gu Senzhu, and studied the history of art.

Currently:

Art critic

Curator of Guangzhou Gao Jianfu Memorial Hall

President of Guangdong Fine Arts Criticism Society

Art resume:

In 1967, he was born in Shenqiu county, Henan province.

In 1984, published "Wu Zongyuan and Chao Yuan Xian Zhang" in the magazine of “Ying Shui”;

In 1985, published “the Art of Ji Meiwen’s Flower and Bird Painting” in the Zhongzhou Book Pictorial , and entered in the Chinese Department of the Huainan Normal University in Anhui province.

In 1986, published the "New Wine"——the “Qingming”investigation of the "Riverside Scene at Qingming Festival" in the "China art daily";

In 1987, He graduated from Huainan Normal University and taught to Anhui Province Jieshou County Tao Miao township middle school;

published “folk craft art" - Gu’s Steamed Food in the "People's Daily" (Overseas Edition)

Investigation of Gongxian grottoes in Gongxian, to assist Mr. Bai Chuntang sorting data for publishing Gongxian Grottoes by China Heritage Publishing House;

In 1988, went to Gongxian Song dynasty mausoleum, investigated the Northern Song Dynasty sculptures of tomb guard inspects;

published "Yang Zhiguang and "No Bone" figures” in the "Zhongzhou Book Pictorial";

published "Under the Brush Ghost Weeping - Wang Cheng's Calligraphy Art" in the "Chinese calligraphy newspaper" ;

To study in the Department of traditional Chinese painting of Guangzhou Acmdemy of Fine Arts;

In 1989, Zhang Cong was introduced by his classmates. He got to know Liang Jiang, and began to prepare for the study of graduate student of the Chinese art history theory by his encouragement and concern. Under the recommendation of Mr. Yang Zhiguang, he got to know Mr. Chen Shaofeng, began to study the theory of Chinese art history under the Mr. Chen's careful guidance; and published "Ren Shao Li Qiu Hua Qian Qiu - Commemorating the 100th anniversary of the birthday of the painter Xiao Longshi" in "The Anhui daily";

"Brush rhyme and ink color feelings——an interpretation of Wang Xiaofeng's landscape painting" publishe in the "Zhongzhou painting and calligraphy";

published "Chinese Book pictorial" in the "Jinling school of painting";

published "Zen meaning overflows from the brush—— the appreciation of Guan Shanxue’s landscape painting" in the "Zhongzhou painting";

Collated folk songs with the Hongxue master, literary theorist and painter Mr. Feng Qiyong;

In 1990, entered the Education Department senior research class of Guangzhou Acmdemy of Fine Arts; published "landscape: a state of mind, Guan Shanxue’s character and his painting" in the "Yangcheng Evening News"; published "the sun sneak up - Zheng Shaoxiong flower and bird painting appreciation" in the "Chinese Book pictorial"; published "silent spring song-- review of Zheng Shaoxiong's bird and flower paintings" in the "Chaozhou daily";

In 1991, admitted the graduate student of the art history of Guangzhou Academy of Fine Arts; the second time to the Gongxian Song mausoleum investigation, draw the Song Dynasty sculptures of tomb guard inspects distribution details, as the research of Song mausoleum for the most detailed first-hand material;

published “the political power of the Song Dynasty and the art of the sculpture in the Song Dynasty” in the “Chinese literature and art newspaper”; published "Chen Xiangbo's art of flower and bird painting" in the "Xizhi painting and calligraphy newspaper”;

In 1992, went to Huaiyang inspect in Huaiyang clay toys; published "the charm of mud playing -- Huaiyang Folk Mud Toys" in the "Aesthetics"; published "the sexual meaning of Huaiyang mud playing -- the sexual worship in folk art” in the "Folk art”;

In 1993, went to Shanxi inspect temple murals, lasted more than 40 days, walked across Shanxi; wrote "Ji Yi temple mural research" and "research of Tianlong mountain grottoes”;

In 1994, wrote “the collection and appreciation and research of Tang, Song, Yuan Dynasties’ official and private painting and calligraphy”; published "the aesthetic difference between Chinese and Western form" in “the youth age”;

"The Liaoning youth" published "the beauty of the human body in Western oil painting" in the “Liaoning youth”; wrote the master's thesis of "the ideal personality of the Confucian women and the painting theme of the ancient Chinese women"; graduated and obtained master's degree, to the Guangdong legal press work;

In 1995, published "the vertical smear is home mountain - Zhang Yan’s landscape painting art" in the "Henan daily - Zhongyuan Gallery";

In 1996, published “paining color as you wish and spiritual extreme - the interpretation of Zhou Yansheng's meticulous bird and flower painting” in the “Henan daily - Zhongyuan Gallery”;

In 1997, he participated in the opening ceremony and seminar of the first Chinese flower and bird painting exhibition;

In 1998, published "Hutubi rock painting research" in the "Xinjiang literature and art";

In 1998, he participated in the opening ceremony and seminar of "Celebrating the Macao return of art exhibition"; took part in the south of the Five Ridges School of painting symposium which sponsored by the Guangzhou Academy of Fine Arts; went to Xinjiang to investigate the original rock paintings in Hutubi, and published "the study of Hutubi rock painting" in the "Xinjiang literature and art";

In 1999, he participated in the "Jinling painting school symposium", which sponsored by the Jiangsu provincial painting academy and Nanjing Arts Institute; published “ the interpretation of Guangdong five people’s painting exhibition (Zhang Yan, Chen Xiangbo etc.)" in the "Guan Shanyue Gallery magazine”;

In 2000, with Zhang Yan and Chen Xiangbo to Taihang Mountain sketch, revised the "Yuan Dynasty palace calligraphy and painting collection research".

In 2001, published “the study of palace calligraphy and painting collection in Yuan Dynasty” in the "art observation";

In 2003, he went to Shanxi again, inspected Ji Yi temple murals and Qinglong temple murals; rewrote “the study of Ji Yi temple murals”;

In 2004, he was transferred to Guangdong Justice Police Vocational College to teach; the deputy editor of the Fine Arts World magazine; in the same year, he attended the "30 year celebration of the Yantai Museum of fine arts and the symposium on Contemporary Chinese landscape painting"; in the "fine arts world" and other publications has published "Ji Yi temple murals - vivid realism painting", "casual and potential sense of beauty -- Zheng Yumin's anti brush calligraphy art on the opposite paper", “iron blood and wind bone are national soul - reread Guan Shanyue’s National Soul”, “the heaven and earth in the clouds-- Pang Taisong's landscape painting art"," spring breeze traces - the appreciation of Zhou Yansheng freehand brushwork bird and flower paintings" etc.;

In 2005, attended “images of the times, passionate years - the construction of new China painting theme workshop”, which hosted by Guan Shanyue Art Museum; published "A brief account of China painting body art over hundred years", and wrote a preface to Zhang Yan landscape painting exhibition, which held at the China National Museum of Art; "Liu Sifen’s new works" put to use the "plain insipid life charm" for the forward; wrote a preface to the "Zhan Yi’s landscape paintings album"; edited and published "Paint and travel the world - Taihang Mountain";

In 2006, participated in the "perfect painting- Sino Korea ink fan invitational exhibition" seminar and reported; "beautiful and elegant - Chen Yunquan's flower and bird painting art" published in the "Today’s ink";

In 2007, participated in the Singapore International ink show Symposium and made a report. "Rongbaozhai": "the gentle elegance of cultural character -- reading Shi Xingkun’s bird and flower painting"; The author of "Shanxi Ji Yi temple murals -- vivid realism painting in the Ming Dynasty", "The vertical smear is a mountain of home -- the interpretation of Zhang Yan's landscape painting"; The writing of "Liu Sifen's art of traditional Chinese painting", "Painter Liu Sifen" (2008, south of the Five Ridges Art Publishing House);

In 2008, planned the exhibition of "vigour of style - Taihang Mountain in the eyes of Chinese artist"; the editing and publishing of "vigour of style - Taihang Mountain in the north and south artists", and wrote the preface of "Taihang Mountain" the significance of Taihang Mountain”;

In 2012, published “the study on the collection of private calligraphy and painting in the Song Dynasty” in the Guangzhou Museum of Art;

In 2013, “the new crisis of the south of the Five Ridges School of painting” in the Journal of the Chinese Art Museum.

Published articles:

1. "Female Confucian personality and Chinese ancient lady paintings" published in the "Guangzhou Academy of Fine Arts art theory papers" in 1994;

2. "Yuan Dynasty palace painting and calligraphy connoisseur generality" published in "art observation" core journal in 2001;

3. "Song Dynasty private collection of calligraphy and painting first exploration" published in the Fine Arts World in 2004;

4. "the spring wind remains mark -- the art of Zhou Yansheng's freehand flower and bird painting" was published in the Fine Arts world in 2004;

5. "Delicate and refine, beautiful and elegant - Ju Lian’s flower and bird painting art" published in the Fine Arts World in 2004;

6. "The ideological root of the formation of the weak wind of lady paintings in Ming and Qing Dynasties” published in the Fine Arts World in 2004;

7. "The quality of the landscape and the interesting spirit - Zhang Yanshan's calligraphy and painting art" published in the Fine Arts World in 2004;

8. "The heart has rivers and mountains, the painting no north and south - Zeng Xianjin’s landscape painting" published in the Fine Arts World in 2004;

9. "the brief account of the development of Chinese painting body art” published in the Fine Arts World in 2005;

10. "Heaven and earth in the cloud - Pang Taisong’s landscape art” published in the Fine Arts World in 2005;

11. "Yuan mei’s painting of theory alone" published in the Fine Arts World in 2005;

12. "Beautiful and elegant -- Chen Yunquan’s bird and flower world" published in the Today’s Ink in 2006;

13. "The gentle and elegant culture character" published in the Rongbaozhai core journal in 2007;

14. "Smart and elegant, concise and fresh -- Liu Sidong’s landscape painting character” published in Rongbaozhai core journal in 2010.

Published works:

1. "Knowing the meaning of painting -- Li Yan’s fine arts theory collected works" , Wanlingnan Fine Arts Publishing House in 2011;

2. "Paint and travel the world -- Taihang Mountain” editor in chief, Wanshiji Chinese publishing house in 2008;

3. "Brush and ink and loyal heart -- Guangdong administration of justice literati and art sample reels” editor in chief, calligraphy and painting volume south of the Five Ridges Fine Arts Publishing House in 2008;

4. "Oriental Poetry -- Liu Sidong" compiler member, two comments, Chinese Literature and Art Publishing House in 2011;

5. "On the thick earth" compiler member, Time publishing media company limited, Anhui Fine Arts Publishing House, in2011.

Awards:

2004 First prize of the ideological root of Ming and Qing Dynasties lady paintings weak style formed, the Fine Arts World magazine annual excellent thesis award, independent;

2005 A brief account of the development of Chinese painting body art, the Fine Arts World magazine annual excellent thesis award, first prize, independent;

2010 painting work of "river song", Guangdong Artists Association, Guangdong Province Office of legal construction of painting and calligraphy exhibition, award of excellence, independent.

Exhibition planning:

1. "Vigour of style - Taihang Mountain in the eyes of Chinese painters" (south of the Five Ridges school Memorial hall);

2. "Round silk fun painting - Sino Korean ink sector exchange exhibition" (Guan Shanyue Art Museum);

3. "Guan Shanyue Art Museum Academic Nomination Exhibition" (Guan Shanyue Art Museum);

4. “Singapore International ink painting exhibition "(Guan Shanyue Art Museum).